This post originally appeared on the Artistcellar blog.

Today I am bringing you a bookmaking project but it is not your average book. I was browsing through my collection of art books looking for inspiration when I revisited Alisa Golden's Expressive Handmade Books. (If you are in anyway interested in learning more about handmade books I highly recommend checking her books out.) The book structure that caught my eye is the Square Flexagon. The Dictionary defines Flexagon as a "folded paper construction that can be flexed along its folds to reveal and conceal its sides alternately." And no, it's not origami because you'll use scissors and adhesive to create it and the structure has its roots in mathematics. Don't be nervous! Here we go!

The square flexagon starts with a square piece of paper (surprise surprise!) and for mine I used a large 18x24 inch piece of Strathmore Mixed Media paper which I cut down after I had both sides decorated.

On one side I used Inktense blocks to rub colors  all over the surface and then using a dry brush and a water spritzer I moved the color around and set the ink.

When that was dry I used the same blocks to create a multitude of skinny stripes all along the paper.

Then using the largest Dot stencil from Artistcellar's Halftone Dots Series and white gesso I added several sections of faint white dots.

The other side of the paper started the same with rubbing the sides of the inktense blocks on the surface and wetting the ink to move the color around.

Then I used clear gesso with the largest Halftone Dot stencil and the Open Work stencil from the Artistcellar Blocks series all over the surface. This will create a resist.

Once the gesso was dry I sprayed the entire surface with some Dylusions ink sprays and then wiped off excess ink with a paper towel.

The resist effect was subtle but nice.

I wanted to bring back more white into the design so using the same two stencils and white gesso I covered the surface with alternating dots and squares.

To contrast all the small elements going on I decided to paint a large circle design as the final layer. I used yellow Dye na flow first and then Dina Wakely's Night color on top. Bam!

Now's the time I cut my paper down to a square.

There is a great contrast between the two sides. One is lighter and easy going. The other is darker and complex. I can see how these foundations can work together to create a thoughtful dialogue. As an artist I try to communicate SOMETHING in every piece of art I create and using a handmade book as the structure makes it even more interesting!

Here is the paper after I have made the folds and cut out the middle. (Which I also made into another square flexagon!)

Here is the result! Fun, right!?

Many thanks to my eldest daughter for the wonderful hand model work!

Now comes the content but I will be working on that later. I have some thoughts and reactions that I'll get down on paper but I want to get them right before I decide how to put them down on the pages. All in all there will be 6 different "pages" to fill. Personally, an artist's book must have content to give it meaning. Whether that content is words, pictures or even the materials the book is made of. I hope you give this fun book structure a try!

What is the story you would tell?

What's your WHY?

Hello fellow creatives! Welcome to my blog and I hope you find some inspiration here. 

How exciting are monthly challenges?! Focusing on the personal nature of art-making speaks to my heart and it is a joy to participate. Dina has a great vision and I'm so happy to add my art. What a great group of inspiration, amiright? Are you ready to show your MEdia??

This month's challenge:
Create a piece of art that shares with us your “why.” 
Why do you create? What compels you?

I worked in Dina's Media Journal on a Kraft paper page. First I'll explain the process and then I'll explain the WHY. Woohoo! Let's get started!

Here's a list of supplies I used:

Scribble Sticks
Heart stamp from DW Media Homage to Frida set
DW Acrylics: Elephant, Penny, Ocean, Blushing, Umber, Night, Lime, Lemon and White
DW Media Tape
DW Stencil - Leafy
Black Acrylic Paint pen

Using the Penny paint with the Leafy stencil I created a nice shimmery background. I then placed media tape on the top and bottom of the page. Using a pencil I sketched a portrait in the middle of the page and then used the scribble sticks to outline my image and add a layer of color. I love how the scribble sticks are water soluble because then it creates a blended look. When dry I used DW paint to paint the face and the colors blend beautifully with the underpainting created with the scribble sticks. It all works together to give the face depth and life.

When I am happy with my portrait I create texture around the face with repeated dashes using various tints and tones of my favorite colors. My goal is to make it look like energy is emanating from the figure because that is how I see creativity.

Words in my art is very important. Sometimes I have alot to say and sometimes I only need to say a word. This time I had alot to say to express WHY I create and what compels me to.

The finishing touches are an enlarged hand-drawn eye that I glued on top of the face and an embellished heart from the Homage to Frida stamp set.

Now for the WHY:

To me I need to create because I like to solve visual puzzles and create things that make my eyes smile and to fill my heart with fire. I like to make things I have never seen before and see what happens. My art has to have parts of me embedded in it. I tend to have a difficult time expressing myself verbally and I find that when I work in my art journal, on a canvas or with bits of paper I communicate things I didn't realize I was feeling. 

I agree with Dina that art is personal and it will be a joy to use the monthly challenges to create more authenticity and find out more about ME! I hope you are inspired to put the ME back in your media this month with this challenge.

Happy Creating!! Remember to use the hashtags #showusyourMEdia and #rangerink when you share your work online.

Dots dots dots

This post originally appeared on the Artistcellar blog on May 4, 2016. It's one of my favorite pieces and I am happy to share it with you here.

One of my favorite things to use in my art are repeated elements.  Such an easy way to create rhythm, continuity and texture. One of my favorite elements are dots, circles, round things. Dots as texture is just yummy and is a simple way to add a bit of interest to anything you are creating. When I am stumped as to what I should add next? Dots. When I need a little texture? Dots. I have bubble wrap, sequin waste and other recycled packaging that I use to create dots. Recently I got my paws on the new Halftone Dots stencil I admit I squealed a teeny bit. Oh man, these stencils are a game changer. They are great on their own and even better layered one on top of the other. They don't quite line up which ends up being divine and they are not perfect circle dots which makes them oh so interesting to look at. Have I convinced you yet? Read to the end as there is a GIVEAWAY you need to be a part of!

For this weeks project I pulled out an abandoned canvas (please please please tell me you have those too!!) with a textured red background. Hmmm, what should I add next? Yep, you guessed it, DOTS. Keep reading and let me take you on a journey of my artistic process with oodles of pictures.

Supplies used:
8x10 stretched canvas (abandoned in the back of my closet)
Halftone Dots stencil
Dina Wakley Acrylic Paints
Isopropyl Alcohol
Old dictionary pages
Soft gel medium
Gold Leaf and adhesive

Let's get started!

I applied two layers of acrylic paint with the two larger dots stencils (with a make-up sponge) and let the paint dry a smidge between layers.

I tore a sheet of dictionary page to create a landscape and attached it with gel medium. Using Dina's Night color I glazed the edges of the canvas to add depth.

The next layer is white paint and the next size down of the Halftone dots. I also added a green wash to the dictionary page landscape.

At this point I decide to put the focus of the composition in the sky. To define this focal point I used white paint to create a circle and tried out some metallic paint for contrast. 

I decided three angels would occupy the space and cut out dresses from more dictionary paper and heads from thin chipboard. I glued the dresses down with soft gel medium and added a wash of white to them. To the heads I started adding paint for the faces.

I ended up using alcohol to rub off a few layers of paint in the circle area and liked it better that way. I sketched in the arms, wings and faces of the three lovely ladies. I also added yellow around the circle area too.

I thought I would create their faces on chipboard and then attach them but scratched the idea and went ahead and painted them directly on the canvas. The following pictures show the evolution of the characters with their faces, arms, wings and crowns.

To further define the focal point I added a raw umber glaze to the outside of the circle. As a finishing touch for the angels I added gold leafing. 

So there you have it! I have a few finishing touches I want to add but am going to let it sit for a day or two to let it simmer. For sure I will be adding another layer to the outside of the circle with the smallest dots stencil to add more (you got it) rhythm, continuity and texture.

Small Canvas Quote

This post was originally found on Artistcellar's blog. 
You can find the original post there.

Remember the delicious backgrounds I made when I was experimenting with Mineral paper? If not please check it out here.  These canvases have been waiting patiently for the next step in their journey and this week I grabbed one, painted the edges black and got started.

Using various colors of Dina Wakley's yummy paints and the Marked series of stencils I created layer after layer on top of my original background. Doesn't this look divine? The transparency of the paint really makes the layering process fun and surprising.

I decided that I wanted the focal point to be an inspirational quote so I picked on of my favorites and used Photoshop to type it out and reverse it before I printed it using my laser printer.

After tearing it out I placed on my nonstick craft sheet and brushed a layer of gel medium on top (like I was buttering toast) and let it dry. Yep, I am making an image transfer!

After the gel medium dried I peeled it off my craft sheet, soaked it in water and began to gently peel the white paper off. Gel medium image transfers are cooooool.

While I was waiting for the gel medium to dry I painted a swatch of white on the canvas where I wanted my quote to go. By the time my image transfer was ready so was my canvas. I gently tore the edges of the image transfer down so it would fit within the white swatch and then, using gel medium, I glued the quote onto the canvas.

As a final detail, I used the X stencil from the Marked series to paint the edges of the the canvas.

I really like the final product and I am picking out quotes for the other small canvases. I hope you all will try this quick and easy technique to add text or designs to your art. Many thanks to my oldest daughter for being my hand model!

Watercolor Affirmations

This post was originally posted on the Artistcellar blog. I hope you find inspiration from this quick technique. Make some cards and mail them to the people you love!

My family and I had a relaxing a fun Spring Break that was spent with extended family and included visits with friends. It was so nice that I had a verrrrry difficult time coming back to "real" life and the daily chores I wish I could avoid. With this laid back attitude I decided to create a few simple abstract compositions using the sacred geo 2 stencils. I didn't want to worry about a deeper meaning or what I wanted to communicate. I just wanted to make something cool and not have to give it a purpose. It was a perfect project to do relaxing on the couch with a favorite tv show on.

I scrounged up a few small sheets of mixed media paper that had random marks on them from when I was playing around with watercolor. It was the perfect first layer. For the second layer on a few of them I placed the stencil and lightly brushed water color paint on top of it. This ends up giving a imperfect, grungy look.

Grabbing a fine tip waterproof pigment ink pen (like a Faber Castell Pitt pen) I placed the stencil back into place and began to trace along the design. I paid attention to what sections I traced and purposely left out others so that it would not come across too obviously that I was tracing a stencil.
I was strictly looking at it as an abstract composition and making sure I had a good visual balance, some repetition, and interesting positive and negative space. (basically all the things I have been trying to teach my little K -2nd graders at school. Ha!)

Once the ink lines were dry (which isn't too long because it is a thin line) I went back into my watercolors to add another layer and started defining the space in my composition by adding complementary colors. The texture watercolors make is oh so dreamy. If you don't have watercolors then go ahead and use a nice acrylic paint you've thinned out with either a fluid medium or water.

Finally I grabbed my fine line pen again and added small decorative elements. Lines, dots, short phrases. Basically anything to give it some more interest. And after looking at them now I can see their purpose! They will become cards to send to a few dear friends. So interesting that even though I started off without a purpose I made art anyways and the art let me know what they needed to be.

Have a creative week!

Shrink Film and Stencils!

This is a guest post I did for the Artistcellar Blog at the end of June. It features another Shrink Film project. Enjoy!

Hello again!

How long has it been since you played with Shrink Film? I found a few packages in my stash and decided to play. I had never tried to shrink an entire sheet before so I decided to try that and see if the result could be used as book covers. I was not disappointed!

Here is my supply list for this project:
Shrink Film (regular ol' clear stuff)
Cheap-o craft paints (but any water-based acrylic will work)
Halftone Dots Stencils (I just used the two largest dot sizes)
Cosmetic sponge
Hole punch (3/16 size)
Basic Bookbinding supplies for the Coptic Binding Stitch

Cover one side of the shrink film with one color of dots. When that is dry cover the other side with dots in a complementary color. Repeat this on another sheet of Shrink Film. Using a hole punch punch the holes where your binding will be. Remember to punch the holes BEFORE you shrink!

Now it is time to shrink the film in your oven per the instructions on the package. It will take less than 5 minutes and it is so cool to watch!!

Cool under a heavy, flat weight for a few minute to make sure it ends up flat.

The results will not be consistent from one sheet to another and the edges most likely will not be square but that was okay with me.

Time to assemble the book!

I will not include a full tutorial on preparing a book block or the coptic stitch because there are a multitude of them all over the internet that explain things much better than I could. So I encourage you to search it out and watch a few videos.

Ta Da! The final book is fun and whimsical. I like the dimension that results from having the dots on both sides of the film. It makes a cool layering effect. The color of the paint became rich and dark after shrinking and has a cool texture to it. There is a little flaking as it is just cheap craft paint so I think a light layer of a spray sealer would help. I want to try this with more quality acrylics (like Dina Wakley's paints) to see if they end up having a different texture after shrinking.

Shrink film and stencils are a match made in heaven!

Shrink Film Charms!

I know you've got some Shrink Film somewhere in that crafty stash of yours so dig it out and get ready for a fun and easy project that can be done by adults and children alike.

Adult coloring books are everywhere and the designs are endless and inspiring. Wanting to do something different than just coloring them in I decided to use them to TRACE the designs. 

Using regular, clear Shrink Film and Sharpie permanent markers I traced the designs from Modern Elegance Coloring Book illustrated by Amanda Murphy. It is published by C&T Publications.

After you have finished tracing and coloring your designs cut them out, hole punch if needed and shrink in your oven according to the package directions.

Your imagination is the only limit to what these charms can be used for! Happy creating!

Quick Texture with Stencils

The following is a guest post I did over on the Artistcellar blog a few months ago.

My brain is rapidly slowing down as SPRING BREAK approaches and I fear I will fall over as I teach Kinders the wonders of Still Lifes in the few days left before sweet freedom(!) and road trips(!!) arrives. Is that how you are feeling too, my fellow creatives? It is during these times where I need a simple project to rock my world and give my creativity a boost towards ACTUALLY MAKING THINGS. I explain all this to you to set the scene for a recent discovery of mine.

In my quest to use stencils in ways different from my usual I stumbled upon an awesome texture technique that I am convinced someone has already discovered. Since I don't see it taking the crafty blogiverse by storm I must deduce that that someone lacked the proper publicity skillz to get this out into the world where it can grow and marry and make beautiful texture babies.


So I will step forth and do what needs to be done. Listen carefully....

Grab your art journal, a brayer, some Dina Wakley acrylics, a paint palette, Golden Acrylic glazing liquid and some rad stencils. The ones I used here are Artistcellar's Sacred Geometry 2 and the map ones.

Squeeze a little bit of paint and glazing liquid onto the palette and use your brayer to mix it up and smooth it out. When your brayer is evenly inked grab a stencil and carefully roll the brayer over it once or twice. Now, lay aside your stencil and roll your brayer onto a blank page in your art journal.


With some of the ink transferring onto the stencil and off of the brayer it is like monoprinting where the brayer is your plate. HAVE I BLOWN YOUR MIND YET?

And using a dark color onto a pre-painted surface is just divine. Check out this teal background with texture applied with Dina's Night acrylic paint rolled on with a brayer. YUM!

The results are random and depends on how many times you roll your brayer onto the stencil. Want a clear pattern? Only roll your brayer one revolution over your stencil. Want more "layers"? Roll a few times onto your stencil in two different places.

I am not sure if my excitement over this little texture tidbit is a result of my tired educator mind or the thrill of Spring in the air but I can assure you that it is fun and gives mad texture with very little effort.

So, go ahead and try it out and let me know what you think.

Go forth and create, my friends!

Clay and Stencils and Glitter, Oh My!

This tutorial was originally found over on Artistcellar's blog. Just in case you missed it I wanted to post it here again because I am pressuring myself to finish this project in order to do a follow up post!

I have been in a bookmaking mood lately so when I saw the Sacred Geometry 2 Stencils I knew I must use them in some way. To add a bit of a challenge I told myself I could not use them with paper. Like most people, I think, I tend to use my stencils mostly with paper and ink so I wanted to shake things up a bit. I decided to use polymer clay as my cover material for my book.

(Now, I am not a clay expert. I took a little class a few years ago and have read alot of websites on the subject just to get a general idea for my simple structure. It was enough to get me started.)

After conditioning the clay in my pasta roller on thickness 7 I used a template made from a cereal box to cut out four rectangles from the clay. I sandwiched a piece of hardware mesh in between two pieces of clay to help reinforce the covers. To add the first layer of texture I grabbed an old bumpy piece of concrete rock and pressed onto the clay all over the surface, front, back and edges. It created a lovely organic, weathered texture. Yay! Now I am left with two covers ready for for stencil action!

I placed the stencil gently on the clay where I wanted it and using my trusty ol' awl I started tracing the stencil, etching into the clay. Ooooo, fun! When finished I removed the stencil and with the awl I added dots to all the corners. Oooo, more texture! Now it is time to bake!

After being baked and cooled I gave the edges a light sanding and started thinking about paint color.

Wanting to add more depth I started with a raw umber acrylic paint and rubbed it into all the lines, nooks and crannies. I wiped the surface with a baby wipe leaving the dark color in all the lines. Yep! Just the direction I was envisioning!

I gathered acrylic paints in green gold, Indian yellow hue and Pthalo turquiose and using a combination of washes and dry brushing I started building layers of color. The trick to layering color is making sure you let a layer dry before you add another one. 

When I had the layers just right I wanted one more element of surprise. I needed something to make the front cover different from the back. I looked on my art table and there the answer sparkled at me. A small bottle of magic, silver Stickles. Yesssssss. I went all crazy, ignored that precision tip and just applied those magic sparkles with my finger. Whoa! I just applied them on the part of the cover with the stencil. Weeeeee! Unexpected and awesome.

Ta-da! I have a beautiful cover ready to become a beautiful book. 

I hope to finish this in between teaching elementary students the wonders of Kandinsky and wrangling my own crazy daughters. The finished book will be found on my blog in the near future. Have a creative day!